Saturday, March 17, 2018


I was reading the old issue of B&W magazine and came across a photographer named Lisa Elmaleh whose work had immediate appeal.  Maybe it is her subject matter - remote and fragile places.  Maybe it is her technique - she does 8x10 wet plate photographs using a darkroom on the back of her truck.  Both are sources for a connection.

In the article written by George Slade, I found two phrases I so often used to describe my own work: "slow" and "deliberate."  It is something people just don't seem to understand, how the tools and techniques you use are so integral to how you relate, understand, and interpret your subject.

Lisa understands.  When you must invest real effort to make a photograph, you go slower and become more intimate with your surroundings.  And with that comes a connection and an understanding.

Visit her website: 

Lisa Elmaleh and her 1996 Toyota Tacoma "Harriet."
Note the darkroom in the back of the truck.
(LE, Hope you don't mind me using your photograph - thanks!)

Sunday, March 4, 2018

Happy Birthday, Margrethe

Florence Deshon (1921) by Margrethe Mather
from Wikimedia Commons

Today would have been Margrethe Mather's 132nd birthday.  She died in obscurity on Christmas Day, 1952.  Her contributions to photography, however, should not be obscured by the passage of time.  Not only was she a truly creative, free thinking photographer, her influence on Edward Weston (arguably one of the most important photographers of the 20th century) was profound.  Weston called her "the first important person in my life."

If you have never heard of Margrethe Mather, I highly recommend reading Beth Warren's Margrethe Mather and Edward Weston: A Passionate Collaboration.

Even if we do not realize it, Margrethe and Edward's influence is in our photography today!

Take Care!